The French Embassy funded Fiji’s first Pacific opera: Domo ni Karmen or Karmen’s voice. It is a Pacific adaptation of Carmen the most beloved and played opera of all time. Domo ni Karmen is directed by renowned musical director Igeles Ete and local playwright and stage director Larry Thomas. Natasha Underwood takes on the role of Karmen with the assistance of dancer and choreographer Ateca Ravuvu.Georges Bizet’s rich musicology is adapted in a Pacific feat with lali drums, bamboo nose flute, ukeleles and clapping in accord with more classical instruments to create original sounds from Bizet’s famous arias. Musicians from the New Caledonia Conservatoire will also be taking stage.The original Carmen by French composer Georges Alexandre César Léopold Bizet was performed in Paris in 1875. Carmen is the story of a “femme fatale”, a stunning and manipulative woman who leads men astray by her beauty and dancing. She is a fatalist and a hedonist living entirely for the present moment. In parallel, Fijian women are too often seen as introvert stifled by rules of men, tradition and religion. Like Carmen beyond their incredible strength and resilience lie passion, cheerfulness and desire. Thus Domo ni Karmen aims to tell a Melanesian story with the action set in a traditional village. The characters are a representation of everyday life with the arrival of Karmen the city girl, who disrupts the established order of rural women in the village. Behind the Carmen story is the modern woman who strives for equal rights, freedom and acknowledgement in society. The initiative of Domo ni Karmen was put together by the cooperative work of talents available in Fiji and the Pacific region. The invitation of musicians from New Caledonia is testament of France’s vision to promote cultural exchange and cooperation within the Pacific region.This production is also a celebration of women and their contribution to life and to our society.
This production could be an inspiration for self-worth and collective self-esteem for women. Youth issues and choices are also highlighted as they journey through life.F inally we hope that this production will bring tolerance and hope as our humanity is revealed
The voice of Karmen in our fast changing society is a challenge to censoring from tradition, religion and racisms. It is also a voice for the protection of basic human rights and reconciliation through music and dance
First LATIN Festival in Suva
The French Embassy funded Fiji’s first Pacific opera: Domo ni Karmen or Karmen’s voice. It is a Pacific adaptation of Carmen the most beloved and played opera of all time. Domo ni Karmen is directed by renowned musical director Igeles Ete and local playwright and stage director Larry Thomas. Natasha Underwood takes on the role of Karmen with the assistance of dancer and choreographer Ateca Ravuvu.Georges Bizet’s rich musicology is adapted in a Pacific feat with lali drums, bamboo nose flute, ukeleles and clapping in accord with more classical instruments to create original sounds from Bizet’s famous arias. Musicians from the New Caledonia Conservatoire will also be taking stage.
The Oceania Centre for Arts, Culture and Pacific Studies staged ‘TINAQU’, a piece about violence against women.
Using a similar format to that of his previous book, The Sex Lives of Cannibals, Troost creates a comical and touching travel memoir. Troost and his wife, Sylvia, move from busy Washington, D.C., to Vanuatu, a nation made up of 83 islands in the South Pacific. As Sylvia works for a regional nonprofit, Troost immerses himself in the islands' culture, an odd mix of the islanders' thousand-year-old "kastoms" along with imperialist British and French influences. This really means that Troost gets to live in a nice house while he gets drunk on kava; dodges "a long inferno of magma and a cascade of lava bombs" at the "world's most accessible volcano"; and checks out the "calcified" leftovers from one of Vanuatu's not-so-ancient traditions, cannibalism. At the end of the book, the couple move to Fiji so that Sylvia will have state-of-the-art medical care when she gives birth to their first baby. While modern-day Fiji provides little fodder for Troost's comic sensibilities, the birth of his son enables him to share some deeper thoughts and decide it is "time to stop looking for paradise." A funny travelogue with a sentimental heart, Troost's latest work genuinely captures the search for paradise as well as the need for home. 
Sharon is a descendant of a settler family that arrived in Fiji in 1869 to grow cotton in Ra. Born in Suva in 1948, Sharon has spent the last 15 years painting apparel, only since mid 2003 has she concentrated on paintings. Keen on fishing and diving, she currently holds the World Record (women) for great barracuda. Previous occupations include, Office Manager, Air Hostess, Enamelled copper art, Dior Rep, Commercial fishing, hand painted apparel. 
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